Place the table on the floor and ask all female artists to hold it while opening the curtain.
The male artist at the same time performing up on the layered structure of tables. I take my shoes off and leave the space.
The slow movement of the body in the never stopping always expanding capitalistic landscape.
Historical reference // Beat the Whites with the Red Wedge//
Between public and personal// Inside and outside.
How a body, my body, can become a site to express personal memories and psychological states as a conceptual architecture which is both internal and external.
Against the column
The body extends the line by falling down